- Male Frame
- Sport of Kings
- Romania
-
The road to King Burebista
- Thracian-Getae-Dacian Mystery school
- Mystery school of Căpâlna
- Mystery school of Bănița
- Mystery School of Costești
- Mystery school of Blidaru
- Mystery School of Piatra Roșie
- Mystery School of Saint Godeanu
- Mystery School of Fețele Albe
- The Mystery School of Sarmizegetusa Regia
- Mystery School of Apulon
- Immortals of Zalmoxis
To understand the intricate workings of the Getae-Dacians, we must look behind the veil of secrecy to discover what enlightened King Burebista. Was it the lands he chose to build his kingdom upon? What did his organization learn to prompt him to create in the Huneadura-Orăștie Mountains? Did Burebista construct Sarmizegetusa, their networks of temples and fortresses over other ancient ascended societies before them?
The emerging architectural realizations of Sarmizegetusa, its magnificent temples and fortresses surrounding it, tells a story of the Thracian-Getae-Dacian's relationship with their land and religious practices. But unfortunately, Just a tiny portion of Sarmizegetusa and its royal palaces, treasure, stone and metalwork have been discovered. Further, its secrets complementing world history are hidden deep in the ground and forests; its glory is shrouded in chambers and tunnels.
The sanctuary of Sarmizegetusa Regia may seem like a complex mystery to a few minds; however, you will discover its simplicity, origins and purpose if you walk through it as the ancients did. For example, Sarmizegetusa was constantly evolving; every king added a section and had his reason for doing so; it was not created by Decebalus; before him, Burebista and Deceneus administered the bulk of its construction. In my perception, you can observe the different dynasties by the temple stones; there are three different sizes of diameter and craftsmanship. The earlier Sarmizegetusa of Burebista, Deceneus and the royal dragons are the smaller temple pillars closest to the two circular shrines and the lunar andesite disk. These pillars are similar to those at the Geto Dacian capital of Costești, where King Burebista and his associates lived. The more prominent Temples were constructed outside of Burebista's Sarmizegetusa during the dynasty of Goths and Decebalus. But, like all ancient history, the majority is based on assumptions we can never be 100 percent accurate unless we have a time machine.
Ultimately, when the Getae-Dacians built these structures, they believed it was not just a home for them but also for the Gods and Goddesses. In addition, much of the art and architecture established their great respect and reverence for Zamolxis and the deities surrounding their belief in immortality. Also, The Getae created interdimensional maps by charting the astronomical movements of the constellations and planets (multiple planes of existence). When the ancients viewed the night sky, they did so from a perspective of inner realms or different levels that co-exists alongside theirs. There was no outer space, just inner reality and rebirth into other cosmic existence. When I reference the ancients and use the words plane, cosmic, presence, and astral, these analogies represent flat geometric surfaces that live beside our earth across a grid resembling a honeycomb. Further, these planes represent levels, states of consciousness or being where the soul is believed to exist on many astral planes, not just one.
As for my first visit to Sarmizegetusa, it was a surprise. I had never heard of it before, seen pictures or researched any parts of Romania. When I arrived at Sarmizegetusa and witnessed its beauty, I broke down into tears, my heart expanded, and all I could do was cry. I put one knee on the ground and said, OMG, this is home. I found it; I felt the exhaustion of my 15 years travelling to different countries searching for the Crown Jewel of ascended societies coming to an end. Besides, I arrived at Sarmizegetusa and Romania as a student; as I stood in tears witnessing the beauty of its landscape, thus manifesting a powerful purification in my body. Boldly, I entered the Gates of Sarmizegetusa and received valuable information from the Romanians, their lands, and their ancestors to contribute towards a balanced spiritual life. For me, Sarmizegetusa was a heart chakra opening and bridge to higher intellect. However, my heart became a map, Sarmizegetusa the Getae and Romania were placed in its centre. For the past seven years, it has been a difficult path. Eventually, I worked my way out from the heart, section by section, to decode the Thracian-Getae Dacians and their Predecessors, The Aryan-Pelasgian, Atlántida, lumerian, and Hyperborean.
The emerging architectural realizations of Sarmizegetusa, its magnificent temples and fortresses surrounding it, tells a story of the Thracian-Getae-Dacian's relationship with their land and religious practices. But unfortunately, Just a tiny portion of Sarmizegetusa and its royal palaces, treasure, stone and metalwork have been discovered. Further, its secrets complementing world history are hidden deep in the ground and forests; its glory is shrouded in chambers and tunnels.
The sanctuary of Sarmizegetusa Regia may seem like a complex mystery to a few minds; however, you will discover its simplicity, origins and purpose if you walk through it as the ancients did. For example, Sarmizegetusa was constantly evolving; every king added a section and had his reason for doing so; it was not created by Decebalus; before him, Burebista and Deceneus administered the bulk of its construction. In my perception, you can observe the different dynasties by the temple stones; there are three different sizes of diameter and craftsmanship. The earlier Sarmizegetusa of Burebista, Deceneus and the royal dragons are the smaller temple pillars closest to the two circular shrines and the lunar andesite disk. These pillars are similar to those at the Geto Dacian capital of Costești, where King Burebista and his associates lived. The more prominent Temples were constructed outside of Burebista's Sarmizegetusa during the dynasty of Goths and Decebalus. But, like all ancient history, the majority is based on assumptions we can never be 100 percent accurate unless we have a time machine.
Ultimately, when the Getae-Dacians built these structures, they believed it was not just a home for them but also for the Gods and Goddesses. In addition, much of the art and architecture established their great respect and reverence for Zamolxis and the deities surrounding their belief in immortality. Also, The Getae created interdimensional maps by charting the astronomical movements of the constellations and planets (multiple planes of existence). When the ancients viewed the night sky, they did so from a perspective of inner realms or different levels that co-exists alongside theirs. There was no outer space, just inner reality and rebirth into other cosmic existence. When I reference the ancients and use the words plane, cosmic, presence, and astral, these analogies represent flat geometric surfaces that live beside our earth across a grid resembling a honeycomb. Further, these planes represent levels, states of consciousness or being where the soul is believed to exist on many astral planes, not just one.
As for my first visit to Sarmizegetusa, it was a surprise. I had never heard of it before, seen pictures or researched any parts of Romania. When I arrived at Sarmizegetusa and witnessed its beauty, I broke down into tears, my heart expanded, and all I could do was cry. I put one knee on the ground and said, OMG, this is home. I found it; I felt the exhaustion of my 15 years travelling to different countries searching for the Crown Jewel of ascended societies coming to an end. Besides, I arrived at Sarmizegetusa and Romania as a student; as I stood in tears witnessing the beauty of its landscape, thus manifesting a powerful purification in my body. Boldly, I entered the Gates of Sarmizegetusa and received valuable information from the Romanians, their lands, and their ancestors to contribute towards a balanced spiritual life. For me, Sarmizegetusa was a heart chakra opening and bridge to higher intellect. However, my heart became a map, Sarmizegetusa the Getae and Romania were placed in its centre. For the past seven years, it has been a difficult path. Eventually, I worked my way out from the heart, section by section, to decode the Thracian-Getae Dacians and their Predecessors, The Aryan-Pelasgian, Atlántida, lumerian, and Hyperborean.
Sarmizegetusa, in its original form, was built in a hexagon pattern constructed upon different timelines of consciousness. Further, its pyramidal style architecture and terrace design will ultimately showcase the 8th wonder of the world's potential. In other words, if the archeologist stopped sweeping dirt around with brooms and searched deep, all of Romania would prosper. Besides, I have mentioned several times that Sarmizegetusa is much older than historians say; again, if we dig down, we will discover palaces and ancient hallways that lead to rooms of treasure; only 3 percent of Sarmizegetusa have been excavated. However, in 2017 an old roadway leading to temples below the Archeological site was discovered, but the search for truth stopped. Boldly, Sarmizegetusa Regia was beautiful, filled with white temple pillars, Gold, silver and bronze ornaments exhibiting superb craftsmanship.
Further, there were statues displayed of Gods and goddesses, mining operations centred on Gold's extraction; all of this evolved to its highest point of construction during the Thracian-Getae-Dacian eras, completed by the King Burebista and his Apostles. In addition, Sarmizegetusa did not serve as a capital in those times; the fortress site at Costesti served as the capital until King Decebalus. Then, Decebalus modified Sarmizegetusa and its functions to become the capital of Dacia. But what happened before, Getae Dacia and Sarmizegetusa? Although I researched many legends via artifacts while living in Romania and observed parallels from others ancients I studied, the one that stands out the most and aligns with the pre origins of Sarmizegetusa is the Hyperborean Apollo. The Aryans-Plesagians and the Thracian-Getae-Dacian Kings understood the esoteric secrets of Apollo and the worship around the Sun. During the construction of Astronomical observatory centres, such as Sarmizegetusa, Solar knowledge was their architecture's foundation and focal point. Besides, the Hyperboreans were the first to construct temples of worship in the Orăștie Mountains; stories of Giant Kings and races with a golden hue to their skin align with artifacts and treasures found all through Romania.
The Telescope mystery, did the Geto Dacians have knowledge of mirrors made with a reflective liquid? The ancients practiced the secrets of alchemy, such as vaporizing the Mercury to obtain gold. However, Mercury was also used in reflective telescopes. Correspondingly, the Geto Dacian Alchemists created powerful medicines more substantial building materials, and, yes, they were masters at providing fresh water and healthy sanitation for their people. So, I listened to local legends from villagers and treasure hunters in costesti; some said the relic was just a ceremonial bowl, washbasin, or to admire the stars through simple reflection. But one story I listened to multiple times was the artifact of an astrolabe, similar to Greek and Roman devices. The relic contained a stone mechanism resembling gears to chart the lunar phases. Another legend was that the tools inside the astrolabe were made of gold and silver; treasure hunters broke the stone to take metal mechanisms. Apparently, there are other devices like the one at Sarmizegetusa resembling cold fountains in the region of Buzau. Finally, if you want to uncover the truths about Sarmizegetusa, you need to visit the area and ask questions; unfortunately, you will not get the answers from the classroom or books.
Further, there were statues displayed of Gods and goddesses, mining operations centred on Gold's extraction; all of this evolved to its highest point of construction during the Thracian-Getae-Dacian eras, completed by the King Burebista and his Apostles. In addition, Sarmizegetusa did not serve as a capital in those times; the fortress site at Costesti served as the capital until King Decebalus. Then, Decebalus modified Sarmizegetusa and its functions to become the capital of Dacia. But what happened before, Getae Dacia and Sarmizegetusa? Although I researched many legends via artifacts while living in Romania and observed parallels from others ancients I studied, the one that stands out the most and aligns with the pre origins of Sarmizegetusa is the Hyperborean Apollo. The Aryans-Plesagians and the Thracian-Getae-Dacian Kings understood the esoteric secrets of Apollo and the worship around the Sun. During the construction of Astronomical observatory centres, such as Sarmizegetusa, Solar knowledge was their architecture's foundation and focal point. Besides, the Hyperboreans were the first to construct temples of worship in the Orăștie Mountains; stories of Giant Kings and races with a golden hue to their skin align with artifacts and treasures found all through Romania.
The Telescope mystery, did the Geto Dacians have knowledge of mirrors made with a reflective liquid? The ancients practiced the secrets of alchemy, such as vaporizing the Mercury to obtain gold. However, Mercury was also used in reflective telescopes. Correspondingly, the Geto Dacian Alchemists created powerful medicines more substantial building materials, and, yes, they were masters at providing fresh water and healthy sanitation for their people. So, I listened to local legends from villagers and treasure hunters in costesti; some said the relic was just a ceremonial bowl, washbasin, or to admire the stars through simple reflection. But one story I listened to multiple times was the artifact of an astrolabe, similar to Greek and Roman devices. The relic contained a stone mechanism resembling gears to chart the lunar phases. Another legend was that the tools inside the astrolabe were made of gold and silver; treasure hunters broke the stone to take metal mechanisms. Apparently, there are other devices like the one at Sarmizegetusa resembling cold fountains in the region of Buzau. Finally, if you want to uncover the truths about Sarmizegetusa, you need to visit the area and ask questions; unfortunately, you will not get the answers from the classroom or books.
The Bulk of construction regarding the Getae-Dacian observatory was sanctioned by King Burebista to chart the noticeable movements of interdimensional planets. In addition, the Geate-Dacians used a very complex and advanced system to document the star's dimensions and the Earth's tilts and activities upon its axis. Further, the conception of the sky and the Earth differed from how we perceive it today. The ancients observed that the Earth moved (wobbled) from West to East, giving them the impression that the sky's motions were from East to West. For example, the Sun, Moon, and Star dimensions rise in the East and set in the West, not from the Earth spinning instead the Earth oscillating like a pendulum. Nevertheless, understanding the Laws of Nature was vital for these civilizations and their way of life, more so than for us now.
Romania is much older than we currently perceive; there are layers of history hidden beneath its surface, artifacts from the Neolithic Era and older than recorded history. However, like todays past discoveries, the Getae uncovered their earlier inhabitant's treasure and monuments, building around and over their ancestors. Fortunately, the unearthing of the bronze Hexagon Matrix contributes many pieces to the Earth's mysterious past. Boldly, the Matrix is ancient, in my opinion, older than what academia says. Still, due to its composition and limited science of our day, it is challenging to detect an accurate reading of where it came from and how long ago it was created.
Further, the Bronze Matrix artifact of Sarmizegetusa Regia is by far the most important discovery that fills in a significant missing piece of the Getae-Dacian history. Also, the Matrix connects Aryan-Danube influences that are out dating artifacts found in Egypt, Mesopotamia, India, and Tibet. As I researched the Matrix, I knew right away that it was an ancient dimensional map that charted the stars above and Sarmizegetusa below, one of the best ever scribed. In addition, the Matrix transfers the original design of Earth, ancient blueprints regarding Sarmizegetusa and its function during the era of King Burebista. Furthermore, the zoomorphic features on the Matrix are very symbolic via astrology; the animals consuming each other are called a cusp, a person born towards the end of a zodiac sign. Besides, there are several Paleolithic cave paintings around the world of animals utilized to scribe zodiacal symbols.
Romania is much older than we currently perceive; there are layers of history hidden beneath its surface, artifacts from the Neolithic Era and older than recorded history. However, like todays past discoveries, the Getae uncovered their earlier inhabitant's treasure and monuments, building around and over their ancestors. Fortunately, the unearthing of the bronze Hexagon Matrix contributes many pieces to the Earth's mysterious past. Boldly, the Matrix is ancient, in my opinion, older than what academia says. Still, due to its composition and limited science of our day, it is challenging to detect an accurate reading of where it came from and how long ago it was created.
Further, the Bronze Matrix artifact of Sarmizegetusa Regia is by far the most important discovery that fills in a significant missing piece of the Getae-Dacian history. Also, the Matrix connects Aryan-Danube influences that are out dating artifacts found in Egypt, Mesopotamia, India, and Tibet. As I researched the Matrix, I knew right away that it was an ancient dimensional map that charted the stars above and Sarmizegetusa below, one of the best ever scribed. In addition, the Matrix transfers the original design of Earth, ancient blueprints regarding Sarmizegetusa and its function during the era of King Burebista. Furthermore, the zoomorphic features on the Matrix are very symbolic via astrology; the animals consuming each other are called a cusp, a person born towards the end of a zodiac sign. Besides, there are several Paleolithic cave paintings around the world of animals utilized to scribe zodiacal symbols.
Also, a similar star dimension map was found in central Egypt on the temple's ceiling dedicated to Osiris at Dendera with animal notations, an advanced civilization known as the Hathors created it. Typically, most Egyptian arts represented zodiacs through rectangular representations, just like the rectangle-shaped animal images on the bronze Matrix. However, this zodiac found at Dendera was created in a Babylonian circular style comprising 12 spheres and 12 constellations. Even today, religions adopted zodiacal animal notation systems and hexagons to showcase astrology. An example of this map is the Mosaic of Bir Chana in Tunisia, created by the early Christian religion through the Roman civilization, 3rd century Ad.
Conclusively, the constellations-dimensions are constructed by humanity's observations and creations; from our view, the dimensions appear to be grouped together, but each star is a great distance apart. As a result, it seems they move about one another, but they move with the Earth's pendulum-style motions. Besides, several of the constellation's progressions can take thousands of years to create the geometric patterns that we name Zalmoxis-Pleiades or Leo, for example. Ultimately, Ancient civilizations such as the Aryan-Thracian-Getae-Dacians did not depend on one star-tracking system. Still, they built an entire astronomical center with several observatory sites, temples and networks of calendars to chart the sky and the transformations of the Earth.
An example of such a complex is the astronomical dimension observatory of Sarmizegetusa Regia.
- Key points
- The Bronze Matrix is a map of the observatory site in Sarmizegetusa Regia.
- All ancient cultures worldwide had some type of astronomical observatory and time-tracking system, just as we do today.
- The observatory worked by following the transitions of the seasons within the Swastika Geometric pattern. Example: The central point of Alcyone is governed from the Milky Way, over 100 thousand light-years away. The ancients believe that the Milky Way designed our Galaxy; it moves in a vortex with a centre/Axis point. From there, we can look into the Pleiades 444 light-years away, Alcyone being the centre of the Pleiades, the dimensions in the constellation act as a vortex (pin Wheel) around it. The Polaris star is 333 light-years. The North star is of great importance because the Earth's axis is pointed almost directly at its centre; then we have the big dipper 200 light-years and little dipper 100 light-years. All showed the exact blueprint of the designer Milky Way that the ancient drew on pictographs, which we currently call the Swastika. The oldest record of this pattern right now was found in Romania's Pelasgian, prehistoric Cucuteni culture dated back to 7000 years ago. To this day, we can see beautiful motifs of the swastika symbol on textiles, pottery, and wooden structures in Romania.
- First facade of the Matrix: When I began to study the Matrix, I did so from a geometric premise. I started to draw lines connecting the animals located around the central Lion; I found the geometric pattern of the square.
-The square represents the 4 poles on the Earth and the 4 elements that hold Time and our molecules together.
-The Lion's face in the centre of the Matrix represents the largest circular circumference and the Solar Calander located in the observatory site of Sarmizegetusa, indicating the era of Leo.
-Around the Lion, the animals consume each other in Pairs pictured in four scenes.
-The scenes represent the seasons, and the animals consuming each other symbolize the change, equinoxes and solstices.
-The animals also represent the planets-dimensions and the face of the Lion, the sun. This would be the 2nd outermost circle around the solar calendar, where the stone was and wood pillars are now placed.
-The hexagon and outer perimeter is a polygon with six sides and six angles, and the Hexagram is a hollow six-pointed star found in the hexagon. The Hexagram has been referred to as the Seal of Solomon or the Star of David.
- Metatron's Cube is revealed within the hexagonal shape Bronze Matrix. Therefore, it can be seen as the universal blueprint of balanced masculine (Solar) and feminine (Lunar) geometry consisting of 13 circles and connected lines.
-The Circles are called the Fruit of Life and represent the number of full moons in one chronological year and the 13 Zodiac in astrology.
-The lines function as a grid, building the network of quantified solids, Earth, Air, fire, water and Space (Ether); it's the sun that gave life to the foundation of these elements, the components of Earth.
-Thus, the Getae-Dacians would have worked on the premise that the earth was a hexagon shape, and then constructed a lunar calendar to chart the full Moon's progressions alongside their solar calendar at Sarmizegetusa Regia.
-Around the outer perimeter, the six sides of the Matrix, a small filmstrip notation resembles the complete Moon phases or Zodiacs; the separation of the scenes is demarcated by vertical dots. There are 12 images portraying animals; the 13th scene is blank. The blank section can represent the final moon phase of the calendar year or the much-debated 13th zodiac.
-Below the small filmstrip notation, located on the outer perimeter, there are images of large animals, two per scene, which would give us a total of 12 astrological zodiac signs, for example. Of course, the interpretations of these sections are interchangeable; they can vary depending on the subjects of Astrology or Lunar phases.
- I am establishing a foundation for others to build upon; I am not an expert in Astrology and understand the basics.
2nd facade of the Matrix: This is a map of Sarmizegetusa; King Burebista constructed and sanctioned the hexagon-shaped observatory; to align with his predecessor's cosmological achievements in art and architecture. Further, King Decebalus expanded outwards beyond the Hexagon shaped sanctuary by adding more temple pillars and fortress stones.
- Most Sarmizegetusa has been rearranged; in this situation, the items I can see on the Matrix located in the sanctuary are approximately 40 percent accurate.
-The Lions represented the Solar and the Dragon the Lunar. All observatory centres, temples and almanacs functioned in harmony with the cycles of the sun and Moon.
-There are two rectangular scenes with dragons; these are the lunar temple located in the sanctuary, where the remains of small temple pillars are today. From this location, the Getae priestesses charted and worshipped the cycles of the Moon.
- There are two round images of a lion's face; the predominant circular formations of stone are located in the sanctuary. For example, they represent the equinoxes and the sun's movements (Sunrise and Sunset).
- The following two images of lions in a seated position are the water system that flows in front of the ceremonial disk and across the entire archeological site.
Conclusively, the constellations-dimensions are constructed by humanity's observations and creations; from our view, the dimensions appear to be grouped together, but each star is a great distance apart. As a result, it seems they move about one another, but they move with the Earth's pendulum-style motions. Besides, several of the constellation's progressions can take thousands of years to create the geometric patterns that we name Zalmoxis-Pleiades or Leo, for example. Ultimately, Ancient civilizations such as the Aryan-Thracian-Getae-Dacians did not depend on one star-tracking system. Still, they built an entire astronomical center with several observatory sites, temples and networks of calendars to chart the sky and the transformations of the Earth.
An example of such a complex is the astronomical dimension observatory of Sarmizegetusa Regia.
- Key points
- The Bronze Matrix is a map of the observatory site in Sarmizegetusa Regia.
- All ancient cultures worldwide had some type of astronomical observatory and time-tracking system, just as we do today.
- The observatory worked by following the transitions of the seasons within the Swastika Geometric pattern. Example: The central point of Alcyone is governed from the Milky Way, over 100 thousand light-years away. The ancients believe that the Milky Way designed our Galaxy; it moves in a vortex with a centre/Axis point. From there, we can look into the Pleiades 444 light-years away, Alcyone being the centre of the Pleiades, the dimensions in the constellation act as a vortex (pin Wheel) around it. The Polaris star is 333 light-years. The North star is of great importance because the Earth's axis is pointed almost directly at its centre; then we have the big dipper 200 light-years and little dipper 100 light-years. All showed the exact blueprint of the designer Milky Way that the ancient drew on pictographs, which we currently call the Swastika. The oldest record of this pattern right now was found in Romania's Pelasgian, prehistoric Cucuteni culture dated back to 7000 years ago. To this day, we can see beautiful motifs of the swastika symbol on textiles, pottery, and wooden structures in Romania.
- First facade of the Matrix: When I began to study the Matrix, I did so from a geometric premise. I started to draw lines connecting the animals located around the central Lion; I found the geometric pattern of the square.
-The square represents the 4 poles on the Earth and the 4 elements that hold Time and our molecules together.
-The Lion's face in the centre of the Matrix represents the largest circular circumference and the Solar Calander located in the observatory site of Sarmizegetusa, indicating the era of Leo.
-Around the Lion, the animals consume each other in Pairs pictured in four scenes.
-The scenes represent the seasons, and the animals consuming each other symbolize the change, equinoxes and solstices.
-The animals also represent the planets-dimensions and the face of the Lion, the sun. This would be the 2nd outermost circle around the solar calendar, where the stone was and wood pillars are now placed.
-The hexagon and outer perimeter is a polygon with six sides and six angles, and the Hexagram is a hollow six-pointed star found in the hexagon. The Hexagram has been referred to as the Seal of Solomon or the Star of David.
- Metatron's Cube is revealed within the hexagonal shape Bronze Matrix. Therefore, it can be seen as the universal blueprint of balanced masculine (Solar) and feminine (Lunar) geometry consisting of 13 circles and connected lines.
-The Circles are called the Fruit of Life and represent the number of full moons in one chronological year and the 13 Zodiac in astrology.
-The lines function as a grid, building the network of quantified solids, Earth, Air, fire, water and Space (Ether); it's the sun that gave life to the foundation of these elements, the components of Earth.
-Thus, the Getae-Dacians would have worked on the premise that the earth was a hexagon shape, and then constructed a lunar calendar to chart the full Moon's progressions alongside their solar calendar at Sarmizegetusa Regia.
-Around the outer perimeter, the six sides of the Matrix, a small filmstrip notation resembles the complete Moon phases or Zodiacs; the separation of the scenes is demarcated by vertical dots. There are 12 images portraying animals; the 13th scene is blank. The blank section can represent the final moon phase of the calendar year or the much-debated 13th zodiac.
-Below the small filmstrip notation, located on the outer perimeter, there are images of large animals, two per scene, which would give us a total of 12 astrological zodiac signs, for example. Of course, the interpretations of these sections are interchangeable; they can vary depending on the subjects of Astrology or Lunar phases.
- I am establishing a foundation for others to build upon; I am not an expert in Astrology and understand the basics.
2nd facade of the Matrix: This is a map of Sarmizegetusa; King Burebista constructed and sanctioned the hexagon-shaped observatory; to align with his predecessor's cosmological achievements in art and architecture. Further, King Decebalus expanded outwards beyond the Hexagon shaped sanctuary by adding more temple pillars and fortress stones.
- Most Sarmizegetusa has been rearranged; in this situation, the items I can see on the Matrix located in the sanctuary are approximately 40 percent accurate.
-The Lions represented the Solar and the Dragon the Lunar. All observatory centres, temples and almanacs functioned in harmony with the cycles of the sun and Moon.
-There are two rectangular scenes with dragons; these are the lunar temple located in the sanctuary, where the remains of small temple pillars are today. From this location, the Getae priestesses charted and worshipped the cycles of the Moon.
- There are two round images of a lion's face; the predominant circular formations of stone are located in the sanctuary. For example, they represent the equinoxes and the sun's movements (Sunrise and Sunset).
- The following two images of lions in a seated position are the water system that flows in front of the ceremonial disk and across the entire archeological site.
-The giant circular Dragon with two small rectangular sections behind it is the Ceremonial disk are the temples. In my perception, the ceremonial disk in Sarmizegetusa is not a solar altar; it was a lunar, a sacrificial disk. The altar placement was intentional; it is directed to the water system to wash the blood, plant or gold residues downstream.
-The rest of the items on the matrix I have not mentioned were moved or eroded hidden in Sarmizegetusa; I spoke to historians and archeologists, who told me the artifacts I have been attempting to locate were in the sanctuary at one time. Still, they could have been destroyed, stolen by present-day enthusiasts and looted by the Romans.
-The Bronze Matrix was a mould, a primitive device that captures pictures; it was created as a "storyteller. “Advanced civilizations like the Getae did not use language as we utilize it today, nor did they have photo cameras to capture images to showcase their knowledge across the world.
- The precious metals were heated into a liquid form, from gold and silver, then poured into the cast sections located on the matrix to create ornaments, jewelry and belt buckles to exhibit the Sarmizegetusa astronomical observatory. Also, the metal was precious; the device's entire surface needed to be utilized.
- The knowledge of the Sarmizegetusa observatory site was valuable in trade. First, there was Value in precious metals and 2nd, the esoteric wisdom on the ornaments.
-In Conclusion, The Getae-Dacians were not the only ones to build Hexagon-shaped Talismans, Axis Mundi and astronomical observatories. Emperor Trajan and the Romans were also interested in esoteric knowledge; he constructed a hexagon-shaped Harbor and observatory. However, if we observe the azimuth lines from the Portus Harbour Hexagon, they point to other power centres of interest; the most crucial line to take note of leads directly to Sarmizegetusa Regia.
-The rest of the items on the matrix I have not mentioned were moved or eroded hidden in Sarmizegetusa; I spoke to historians and archeologists, who told me the artifacts I have been attempting to locate were in the sanctuary at one time. Still, they could have been destroyed, stolen by present-day enthusiasts and looted by the Romans.
-The Bronze Matrix was a mould, a primitive device that captures pictures; it was created as a "storyteller. “Advanced civilizations like the Getae did not use language as we utilize it today, nor did they have photo cameras to capture images to showcase their knowledge across the world.
- The precious metals were heated into a liquid form, from gold and silver, then poured into the cast sections located on the matrix to create ornaments, jewelry and belt buckles to exhibit the Sarmizegetusa astronomical observatory. Also, the metal was precious; the device's entire surface needed to be utilized.
- The knowledge of the Sarmizegetusa observatory site was valuable in trade. First, there was Value in precious metals and 2nd, the esoteric wisdom on the ornaments.
-In Conclusion, The Getae-Dacians were not the only ones to build Hexagon-shaped Talismans, Axis Mundi and astronomical observatories. Emperor Trajan and the Romans were also interested in esoteric knowledge; he constructed a hexagon-shaped Harbor and observatory. However, if we observe the azimuth lines from the Portus Harbour Hexagon, they point to other power centres of interest; the most crucial line to take note of leads directly to Sarmizegetusa Regia.
