Archeological discoveries have shown us those sex rituals were a worldwide practice; although there is much debate on their origins, more Historical and Esoteric research is needed in Romania. The roots of Tantra have been expressed in India. Still, the deeper we look, we will discover that the Carpathian-Aryans (Bearded ones) and the Thracian-Getae-Dacians influenced Ancient India. However, Historians have started to recognize that several elements of the Sanskrit Dialect come from Ancient Romanian. Once more, India has shown a rich archaeological legacy of Tantra and sacred sex rituals, but many of these philosophies come directly from Thracian mythology. For example, the Thracian constellation of Zamolxes located in Greek Mythology as the Pleiades is found in Hindu Philosophy as the Sapta Matrikas (Brahmin). The Matrikas are depicted in seven women Shaktis energy (“Divine Mothers”) associated with the sect of Shiva. In addition, several parts of Tantric scripture have incorporated the Hindu philosophy and Buddhist literature of the Pleiades/Zalmoxis in detailed descriptions. Also, presently the shiva cult women from India dress in jewelry that worships Zamolxis and practices similar rituals as the ancient Aryan-Thracians did.
The Ancient significance of Tantra was celebrating feminine power; we can observe its elevation during the Rule of King Burebista and the Royal dragons. Further, the roots of feminine energy were among devotees of Atlas and Pleione Titans from Hyperborea (Romania), the Hindi version of Shiva and Shakti. In addition, followers of ancient Tantra worshiped several Thracian Gods and Goddesses such as Apollo, Bendis and Dionysus. Besides, Bendis was the Shakti, Moon, healing and the divine feminine power that infused the elements of our mortal world. However, all goddesses are manifestations of Shakti/Pleione and Shekinah, the central and feminine Godhead to our existence. Moreover, I was fortunate to locate several artifacts from the region of Letnitsa in Bulgaria that, in my opinion, show sacred sex rituals and the Tantric philosophy of Kundalini. The first treasure depicts the placement of the man and women in the position known as the Yab-yum; it's a ceremony from Buddhist and Greek philosophy called the Hieros gamos or Hierogamy ("holy marriage"). The Hieros gamos is a sacred union between a god and a goddess, where the mortal recipients experience an evolved sexual connection from the heavens.
Correspondingly, the sacred union was referred to as the Sport of Kings. Boldly, before the man was crowned, several consorts performed Sensual or Sexual rituals with him long ago. Ultimately, during my adventures into this current methodology, each woman became a teacher; she removed obstacles in my way related to ascension, health and kingship. Further, these women are adept in tantric literature; they understand the masculine is active and needs action to reach enlightenment. Located on the artifact, you will see the woman on top of the man; their outfits suggest he is of high society. Usually, in the Yab-Yum ritual, the man sits with his legs crossed and his back (spine) straight and stable, but he is pictured with legs out (directly) on this artifact. Appropriately, the woman sits facing him on his lap with her legs wrapped around his torso. In this image, her legs lie straight out to match his position. Next, she leans onto his energetic polarity to begin the sexual union. Further, she puts her hand upon his heart to unlock the obstacle hindering his perceptions, then they breathe and Gaze. Finally, the man’s role is to anchor his spine straight in the seated position, manifesting a confident container to support her bliss of femininity.
Also pictured on the artifact is a priestess in training; she holds a Fig Branch with a leaf attached, and beside her is a vase containing Figs, oils or Honey. Figs are a symbol of Sex and creativity; they are beneficial for health, rich in amino acids and an aphrodisiac. In addition, the scent of figs, textures, and oil excites both men's and women's libido. Actually, in ancient Hebrew text, the fig is part of the Seven Species, staple foods consumed in the Land of Israel. Similarly, the constellation of Zamolxe and its 7 sisters greatly influenced ancient agriculture, the lunar cycle, and the change of seasons. Over time, the Thracian-Geto-Dacian Goddess Bendis and Hestia became essential to all mythology; today, we observe these legends in Hebrew celebrations as the Feast of Tabernacles when these Seven Species are consumed in ritual. During the Hebrew festival, the fig and its leaves are considered holy, just as the vine and olive. For example, Fig trees represent wealth, prosperity, and when used in sex rituals, the tree parts enhance material and spiritual wealth. Conclusively, the Fig is in Genesis, via the story of Adam and Eve (or Atlas and Pleione) in the Garden. After eating fruit from the Tree of Knowledge, the cosmic tree of Zamolxis, which they had been commanded not to do by God.... 'The eyes of them both were opened, and they knew that they were naked and they sewed fig-leaves together..' Thereby clothing themselves with fig leaves. I have analyzed this passage in the bible several times, and I can say the tree of knowledge was a Fig tree, and the fruit was a Fig, not the apple. Also, the genesis speaks of the fall and the division of one Supercontinent (Hyperborean) into Atlantida and Lumeria. The centre or Axis Mundi of Hyperborea was in Romania's Present-day Lands, Ultimately the Mundi is becoming active again.
Another example of Geto-Thracian alchemy is the three-headed snake or Dragon methodology. The plaque discovered in Letnista, Bulgaria, is approximately 2500 years old and depicts a God, possibly Apollo, with a mirror and hand-raised towards the 3 headed snakes ascending from under him, between the legs. In addition, he is in priest-style clothing dressed in garments that imply a solar deity. Several historians expressed the image is a female or Goddess, but there is no circular impression around the chest to symbolize a woman. However, other plaques from the exact location have markings showing breasts, like the image of the priestess with the one Dragon conceivably Apollo's counterpart Bends. I will now reference my studies in spiritual alchemy and archetypes to give a more detailed interpretation of the Artifact. In my opinion, these images showcase the origins of magic, Kundalini and the earliest recordings of alchemy. The Artifact: One central column conveys the spine and three snakeheads denoting the Tripod of life, mother, father and child, the foundation of creation, wholeness and unity. Next, the snake rising indicates a concept of spiritual awakening ascending from the root chakra (coccyx), the location of our throne, the seat of power and authority. Finally, the alchemical meaning of the Mirror reflects both states of perceptions, light and dark, it does not absorb.
In Retrospect, Sacred Geometry identifies the two intersecting rings as the vesica Pisces; they cross each other, creating a center on the perimeter that manifests a trichotomy or three intersecting circles forming the "Tripod of Life." Accordingly, several new-age philosophers speak of this mathematical phenomenon as the second day of creation, the balance of Mother, Father and child from which all Geometric shapes are generated. Further, when referencing the Genesis pattern, the first day represents consciousness. Therefore, the second day of creation is the vesica Pisces. The third day assembles the Tripod of Life, and then one circle is added for each day until all seven rings have completed the Seed of Life. Finally, the seed of Life embodies the essential building blocks of the "Flower of Life" pattern. During my experiences with Tanta, I discovered that our spine denotes the column or pillar, and the head represents the child. Ultimately, when the Kundalini and Kundalina rise up the spine and out the crown chakra, the two snakes complete the energetic components of the Tripod. Further, this energy is recognized as the masculine and feminine arriving together, Kundalini, sexual and Kundalina sensual. The Kundalini (Sanskrit, meaning "coiled") refers to a system of Indian philosophy and Asana, which aims to awaken an energy force called Shakti for the purpose of spiritual enlightenment. However, the Energy of Shakti or kundalina requires inner cultivation to connect with the Supreme Being Shiva. In addition, the bible has similar philosophies as the Shiva-Shakti Cults from India. Example: Job 9:9 "He is the Maker of the Bear and Orion," Job 38:31 "Can you loosen Orion's belt?" and Amos 5:8 "He who made the Pleiades and Orion." Let's conclude with the triple-headed snake/dragon artifact; it made its way from Bulgaria to Greece as the Serpent Column. The bronze monument was built in the ancient city of Delphi to commemorate those who fought in the Battle of Plataea in 470 B.C, the Persian war. According to Herodotus, the column and the golden-tipped Tripod were built from melted-down Persian weapons and were dedicated to the God Apollo and placed next to Apollo's altar at Delphi. Elements of the Serpent Column now stand in Istanbul.
The most predominant Astronomical Icon in Romanian Culture is the Swastika; today, we see this symbol alive in embroidered garments and wood ornaments. However, before present-day Romania was the Aryan-Thracian-Getae-Dacians, they utilized this pattern as a universal blueprint to life; by engraving and forging it in metal, painted on pottery, jewelry for fashion and cult identity. However, the Pelasgian- Cucuteni-Tripoli civilizations showcase an impressive display of Swastikas dating back nearly7000 years ago. In addition, Cucuteni worshiped the rotational movements of the Swastika as the Galactic Goddess; besides, most of their art on ceramic pottery revolved around women. Also, artifacts in the shape of figurines suggest women in a ritual dance embodying the movements of the Swastika/Galactic Goddess. Today, this dance is practiced as a ritual of Geto-Dacian ancestry celebrated by women around the Danube in Romania and Bulgaria as the caluseri- fete, fertility and purification. Throughout the pages of this book, I mention the Swastika, Zamolxis and why this icon impacted the ancients. So, Imagine 10 thousand years ago when the primordials looked into the night sky at Zamolxe/Pleiades orbiting like a big dipper they knew it was home. The Geto-Dacians were immortalized and had no fear of death; it was a duty to preserve the information of Zamolxis and its pattern in the sky.
Basically, the constellations leave a trail of Geometric resonance; the ancients used this technology to construct temples, pyramids, fortresses, and treasures. However, anchoring this resonance was not just a profession for the primordials; it was devotion. As a result, Alchemical automation was essential for the Daco Get; they were Architectural innovators. Boldy, I witnessed their superior achievements, a vast ancient city hidden in the forests of the Orastie Mountains. I was fortunate enough to walk across heaven on earth for five years, a civilization that constructed its temples and fortresses aligned with the Zamolxis/Pleiades. But how did they accomplish such a feat? First, The Geto Dacians were physically capable; they were not your average size and biologically advanced. Next, they invoked sacred images and cryptic messages from the sky, extracting base materials from the earth: stone, wood, sand, water, and metal. Finally, the Gods and Goddesses were pleased by the magnificent monuments and treasures. We can clearly see it is not just the art of constructing buildings for our Getae ancestors; it was preserving the information passed down from the immortals of Zalmoxis. The mystics and sages of Romania's past were the best at recording the sky; here are some honourable mentions, Hyperborea, Atlantis, Lumeria, Aryans, Pelasgo Cucuteni, Thracia, Getae and the Dacians. The ancients believed that the Milky Way designed our Galaxy; it moves in a vortex with a centre/Axis point. Example: The central point of Alcyone is governed from the Milky Way, over 100 thousand light-years away. From there, we have the Zalmoxis/Pleiades 444 light-years out, Alcyone being the centre of the Pleiades, the dimensions in the constellation act as a vortex (pin Wheel) around it. Next, the Polaris star is 333 light-years. Besides, the North Star is of great importance because the Earth's axis is pointed almost directly at its centre. Following, we have the big dipper 200 light-years and little dipper 100 light-years from our Earth. Although these constellations resonate with a divine blueprint used for technological innovation, the architect of this infrastructure is the Milky Way, the swastika and the primordial mother.
The Geto-Thracians have an extensive display of the swastika coded with animals and mythical creatures, Zoomorphism. The most mysterious relic is what some historians call the Thracian eagle; they refer to the swastika pictured on the artifact as a solar Icon; both are correct; however, I would like to showcase another perception. But before I write about the artifact, I want to express to the readers the foundation I work from via interpreting primordial treasures. Personally speaking, the Earth, its aura, and human migration dictate belief systems; along the way, treasures, monuments and artifacts are traded, lost in war or stolen. As a result, the intent and deciphering of ancient relics alter. Additionally, our world is older than any language or alphabet, so we will never be able to record its actual history, age or offer absolutes on how the primordial lived, spiritually or scientifically. Therefore, we can only presume our ancient origins; one scope of reference is not viable when reading primordial treasures unless you have a time machine. However, if lucky enough, Akasha can open and align to the living library located in our DNA. So, the two-headed Thracian Eagle Artifact can represent a sea turtle in several esoteric societies. Further, an 8 pointed star and a swastika are on its back; both symbols represent a layer of consciousness. The first layer is the swastika, the Cosmic Mundi, the Milky Way and its creation, the Constellation Zalmoxis (Pleiades). Similarly, the 2nd layer is a star with 8 points that arise from a central point of the turtle; this is Pleione. Besides, the turtle represents Earth, the Axis Mundi and Atlas, he fell from above below; they both carry the heavens on their backs. Atlas (the turtle) and Pleione (the star) represent unity consciousness, a balance of the feminine and masculine; the remaining 7 ends on the 8 pointed stars represent their daughters. Moreover, the Geto-Thracians were not the only people who adored the turtle and documented the legends of the Earth on its back. Conclusively, their neighbours in Greece uncovered turtle artifacts, and Greek mythology speaks of Mount Olympus carrying on turtles back. Also, the God Hermes, the messenger of Pleiades and Olympus, created the first seven-string Lyre from a turtleback; each string, when played, invokes the seven sisters; likewise, the Lyre and Hermes symbolize the two realms, Earth and Heaven. Ultimately, the ancients adored the eight-pointed star, the swastika, and the turtle; these Icons are worldwide with several different interpretations depending on their geographic location and philosophies. Finally, In Chinese tradition, the eight-pointed star depicted the entire structure of the Universe. Their legends suggest the Sky Emperor lived in a temple at the center of Heaven, where he ruled the 8 divisions. The Babylonians worshiped the 8 pointed stars. It was the symbol of the Goddess Inanna or Ishtar and Venus. Even today, the Aboriginals still practice turtle medicine representing the Earth and its heavens on the back.